Articles

[THE SERIES]

Essays on the forces reshaping creative value — featuring the leaders, structures, and stories behind the creative economy's restructuring. New articles published weekly.

[THESIS]MAR 2026

We Built the Entire Economy on the Wrong Definition of Intelligence: Buckle up.

For the better part of a century, we've defined intelligence as processing power. We built everything on this definition. Hiring systems. Compensation models. Educational infrastructure. That assumption is now provably wrong.

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[THESIS]MAR 2026

Aligned Capital: Why the Structures You Use Determine the Returns You Get

The conventional wisdom is minimize costs and maximize control. The data increasingly says the opposite: alignment structures produce better creative output and better returns.

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[THESIS]MAR 2026

Sixty-Year Yield: Creative Assets and the Multi-Generational Portfolio

The temporal dimension of creative assets is the most systematically undervalued factor in alternative asset allocation. A song recorded in 1975 earns more today than in any single year of its original life.

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[THESIS]MAR 2026

The Creator HoldCo: Why the Next Berkshire Hathaway Might Be Built by a YouTuber

The creator holding company isn't a YouTube channel with side businesses. It's a diversified architecture where a central creative engine drives audience, products, licensing, and compounding value. The pipeline is bigger than the unicorns suggest.

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[THESIS]MAR 2026

Your Diligence Model Has a Taste Problem

The factor that determines creative asset returns — discernment — is the one factor your models can't capture. That's not a weakness. It's the alpha.

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[THESIS]MAR 2026

The Compression Is Not Your Fault

You're better than you were five years ago. And yet the budgets are tighter. The squeeze you feel is structural — three forces converging on 60% of creative professionals simultaneously.

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[THESIS]FEB 2026

The Asset Class You're Ignoring: A Case for Creative Capital

Private equity has deployed an estimated $1.2 trillion toward creative assets in a decade. The repricing is underway. The question is whether your capital follows first.

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[THESIS]FEB 2026

The Discernment Premium: Why Taste Became the Scarcest Asset in the Creative Economy

AI didn't replace creativity. It revealed that most creative work was execution, not vision. The 40-70x gap between median and top creatives is accelerating.

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[THESIS]FEB 2026

The Triple Convergence: Where Creativity, Cognition, and Capital Collide

Three forces are converging simultaneously — and the professionals who understand the intersection will capture asymmetric advantage in the next decade.

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[DEAL STRUCTURES]FEB 2026

Revenue Share vs. Equity: Choosing the Right Ownership Structure

Two paths to ownership. One trades upside for certainty. The other bets on long-term value. How to decide which fits your situation.

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[THESIS]JAN 2026

Why the Best Creatives Are Becoming Economists

Maggie Rogers, Brady Corbet, Taylor Swift — the creatives capturing asymmetric value aren't getting MBAs. They're developing a specific kind of economic fluency at the intersection of artistic judgment and business structure.

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[THESIS]DEC 2025

Your Taste Is Worth More Than Your Skills (But Only If You Structure It)

A24 is valued at $3.5 billion — not on revenue multiples but on the compounding value of a curated library and a brand synonymous with taste. That ability has a name. We call it discernment.

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